Friday, January 17, 2014

Movie Review : Lone Survivor


 


Lone Survivor (R)
I typically don’t review films here, but since I had the rare treat of being granted access to a preview I decided to give it a try.  Enjoy.

First of all, going to a preview is just a really cool feeling, like you’re somehow privileged or special.  What it boils down to is being able to see a movie a few days before everyone else, and it is awesome. I AM IMPORTANT!

What struck me right away was the line, which was thankfully inside of the theatre on a Polar Vortex induced 9 degree evening.  Then, the security – presumably to avoid recording –which I was assured was not a newly implemented procedure at our local movie house.  We were either wanded or had our bags checked, and my wife was forced to surrender her digital camera before entry.   The crowd was pretty diverse, which I’m sure the studio desired but am not so sure that it was planned.  We got our tickets from someone else, so if there was any focus grouping used to gather specific demographic s it couldn’t have accounted for us.

Before the move started, one of the guys who was at the door (he never did identify himself, but we just assumed he worked for someone connected with the film) addressed the crowd.  Upon his reminder that this was rated R and did contain copious amounts of violence, a bunch of what sounded like twenty somethings let out some celebratory whoops.  A few assumptions I made at that moment:

1.       The whoopers were likely video gamers (think Call of Duty)

2.       The violence in this movie would not be anything like a video game

3.       We would not be cheering during said violence

So, the movie…..

It tells the true story of Operation Red Wing, which took place in Afghanistan in 2006.  The Navy SEAL team op intended to take out a Taliban leader, but encountered several obstacles along the way, to put it lightly.  Director Peter Berg does a masterful job of immersing us in the world of the SEALs right away, as actual footage of the training is shown beneath the opening credits.  The footage is so raw and visceral that it exhausted me just to watch it, and the one scene which showed a recruit being pulled out of the water, clearly traumatized, only to have the trainer tell the kid not to “go to the light yet” was terrifying.  The battle scenes draw you right in as well, making me feel like I was right there on the mountain side with them.

The first act develops the main characters, and since the title itself is a bit of a spoiler, we know that we shouldn’t get too emotionally attached to anyone not played by Mark Wahlberg.  We do anyway, and since this is based on real people we are spared the traditional Hollywood War Movie tropes of the Grizzled Cigar Chomping Sarge, Skinny Ethnic Private, etc.  (We do get one – the “tell my wife I love her” line, but since we are so invested in these guys I’ll allow it).  These are real guys, a fact that is underscored as the closing credits roll over actual pictures and footage of the men portrayed in the film, along with wives, kids, etc.   I’m not afraid to admit that it got a little dusty in the theatre during those credits.

I really enjoyed this movie, well, as much as one can actually enjoy what is a very depressing story with some nice emotional lifts near the end.  Optimism is in short supply throughout – again, the title indicates a Lone Survivor, but the story wraps up with some nice touches of humanity from some unlikely sources.  There were actual bits of humor as well, from the names given to the various checkpoints to the soldiers talking about mundane everyday things like horses and tile patterns as they prepare for an epic battle.  I walked out with a sense of relief that we have people who are willing to do this, and confirmation that I could never be one of them.  These are truly unique and special individuals to whom we owe a great deal.

By the way, when the screening was over I checked on a few younger guys seated nearby who were excited about the violence warnings prior to the show, and their general expression was more "Holy shit dude" than "Awesome!", so all three assumptions turned out to be correct.

Post script: The movie had a great opening weekend, but I was surprised at the lack of Academy Award recognition beyond sound mixing and sound editing.  Since I haven’t seen many of the nominated films, I’m not qualified to make a judgment here, but I thought this film had a decent chance to grab a Best Picture or Director nom.

Sunday, December 22, 2013

Episode 31: If I Only Had a Badge...

Join your host as he looks at resourceful but harmless criminals, worries about being excluded from online dating sites, pities Lou Gehrig, and delivers a dose of musical activism.

Support the show via that Amazon link to your right -------------------->

Friday, November 01, 2013

Episode 30: Sell Out!

In which your host sells out to The Man.  Listen to hear if it was worth it.

Friday, October 04, 2013

Episode 29: I'll Quit But It Might Kill You

Join your host as he tries to drive with greasy fingers, remembers great bad TV, wonders if quitting smoking is worth the risk, recoils at having his senses assaulted, and provides a soulful parting shot.

Sunday, September 29, 2013

Episode 28 - Breaking Bad Finale Livecast

As promised, the live podcast of the amazing Breaking Bad final episode.  Join your host for the gut reaction as each segment unfolds.  Obviously, spoilers abound, so tread lightly.

Sunday, September 01, 2013

Breaking Bad Recap - "Confessions" (Season 5 Episode 11)




Previously on Breaking Bad, Hank slugged Walt after realizing he was a monster, Walt advised Hank to tread lightly, Skyler threw a shit fit in the diner in front of Hank, Nervous Lydia pulled off a coup d'etat on Dec's operation, even though she didn't want to see the bloody aftermath, Jesse played Santa and was left awaiting a stare down in the interrogation room with his old buddy Agent Schrader.

Dim Bulb Todd stands outside a diner in the middle of nowhere, and rings up his old mentor Mr. White to give him the latest news re: the"difference of opinion" between him and Dec.  Back inside with his Nazi buddies, he retells the amazing Train Heist story, in great detail but for the notable exception of that little flare up with Drew Sharp he was forced to deal with in the aftermath.  When talking you can tell he has a great amount of respect for Mr. White, and also drops Jesse's name in for good measure.  After the waitress delivers the check, they get down to brass tacks - Uncle Jack asks if Todd is ready to start cooking, and run his own lab.  Todd is ready, and probably won't start a fire until at least his 5th or 6th cook, at least.   That settled, Uncle Jack and his pal hit the head, where a telling conversation ensues about the Nanny State and how everyone is just too damn careful these days.  As he laments the wussification of America, Uncle Jack casually wipes a blob of blood - likely from Dec - off his shoe.  The three amigos had toward ABQ, towing the big ass barrel of chemical behind their pickup.  This should end well.

Back in the police station, we see a hazy Jesse, then get his POV of the previous interrogation from Tweedledee and Dum, which goes by at lightning speed to indicate he didn't hear a damn thing they said.  Too bad, those guys were using some of their "A" material there.  Back to now, Hank is in the room and starts slowly, saying he can help Jesse.  Mr. Pinkman gives no response until Hank drops the bomb that he knows Walt = Heisenberg.  Offer time: tell Hank about the whole meth thing and maybe he can make this mess about the money storm go away.  I didn't hear anything about immunity for working with Heisenberg, and wait until they connect the dots about who shot Gale.   Moreover, Hank hints that given recent events, things aren't exactly copacetic between Jesse and Walt.  "I'm right, aren't I?', he says.  Jesse: "Eat me."
Hank does a nice job keeping his cool, even after Jesse suggests he beat the info out of him, alluding back to their last encounter.  He stays at it, indicating that Walt must have really screwed up the kid, which is basically correct, and suggests a parallel between his being lied to by his own bro-in-law and also betraying Jesse.  Looks like he might get him to open up, right?  Help me out Jesse, I wanna nail this bastard.  Don't you wanna talk? Jesse slowly glares at him and quietly says, "Not to you."

No time to process that, because in bursts Saul Goodman!  He clears the room like only he can, dispatching Hank and the detectives with threats of multiple civil suits, etc.  Once they're gone, he focuses on his client with a barrage of questions - why didn't he call Saul, why is he tossing his cash around, didja hear about Hank's discovery? Jesse eases the pain somewhat when he reveals that he told Hank nothing, but it's going to be a while before Saul can describe himself as "chill".

Walt's bedroom, where he is engaged in a call with Saul and implores him to do whatever he can to get Jesse sprung.  Upon hanging up, he hears Flynn come home.  Flynn wonders why Walt didn't go to work, and also remarks how late he was out last night (digging big holes).  Let the lies begin - first, Walt starts to apply make up to cover the nice shiner Hank gave him.  When he catches word that Flynn is heading over to Aunt Marie's to "fix a computer problem", he realizes he can't let that happen, and thinks quickly by removing the makeup he just applied.  Summoning the boy before he leaves, they meet in the living room where Flynn asks about the eye, which allows Walt to sit him down and start the bullshit train.  He passed out, hit the floor, and did this to his eye.  He reveals the cancer has returned, and Flynn gets more and more concerned.  This kid could use some breakfast, stat.  Walt puts on the brave face and tells him that the family will just go on, and that he is ready to face this and beat it again, and it would really be super awesome if we all just stayed positive.  Now, why don't you go on over to help Aunt Marie?  "No, I'm staying" says the boy, and Walt smiles the smile of a guy who really understands how easily he can manipulate just about anyone at this point.

Casa Schrader, where a frantic Marie wonders where the hell Flynn is.  She had a perfect ruse to get him to the house, where we can assume she would come up with more excuses to keep him there indefinitely as part of her Operation: Kid Grab plan.  Hank's home and she, assuming that this would be the day he told the office about his bro-in-law, asks how it went.  Well, it didn't Marie, since he spent the day getting diddly squat from Jesse.  Not that he tells her that.  Finally he shuts her down by telling her to stop telling him how to do his job.

Back in the White bedroom. Walt paces as we hear Skyler ask if he is "sure about this".  He replies that this is the only way, and we see she is manning a video camera mounted on a tripod.  As he begins to speak, we are reminded of the pilot episode where he also began to confess on video, only this time he's a lot calmer and not in his underwear.  "My name is Walter Hartwell White, I live at 308 Negra Arroyo Lane, Albuquerque, New Mexico 87104.  This is my confession......"

A crowded restaurant, where smack dab in the middle we see Walt and Skyler sitting at a table which has room for two more.  They both look like they're dreading this, particularly Skyler, as Walt grabs her hand and tells here "they're here".  Who?  Why it's the Schraders!  This should be fun.  After an awkward pause, Walt thanks them for coming.  More awkward pausing.  Walt gets ready to start when the server shows up with all his "Welcome to Garduno's" enthusiasm, which is met with stone faces and no responses. Want some table side guacamole?  Walt tells him they need more time and that gets rid of him for now.

After Hank spits out the only question he would like Walt to answer - is he here to confess - Walt starts in, focusing on the children. Leave them out of this, and hey Marie, it would be wonderful if you could not try to kidnap or lure my kids to you house, mmkay?  Hank again threatens to knock down Walt's door and arrest him, kids be damned.  While Skyler says nothing, Walt reminds Hank that he has no hard evidence to support his claims, and why tear apart the family with this?  Just then, waiter boy returns with the water, tries again to  upsell the guac, then finally gets the mood of the table and leaves.  Marie starts right in on Sky, wondering how she can sit there quietly through all this.  The kids are in danger if they stay with this man, and after all, you sent them to our house yourself, remember?  Sky gets her footing, firmly states that she took them back on her own terms and that all the issues on the table here are in the past.  Move on, people.  Marie, correctly, wonders how she can believe anything these two say anymore, and even brings up the affair with Ted.  Walt steps in to remind them again that Junior has had a rough year, and just found out that Walt's cancer is back, so why pile more crap onto his plate.  It's not right.  At this, Hank starts to lose it, though since they're in the middle of the restaurant he spits all his words through clenched teeth.  Was it right to run a meth empire?  Walt balks at this and asks what does he have to do to make Hank believe him?  Marie is all over this one: "You could kill yourself, Walt."  Boom.  The whole thing dies with him, sooooo whaddya say Walt?  Skyler: "That is not a solution".  Hank isn't down with that plan either, since it would deprive him of capturing the White Whale.  You two are not walking away from this thing, or negotiate your way out, capice?  Step up, be a man, and confess.

At this, Walt and Sky share a weary look, Walt gets up and slides a DVD case on the table toward Hank.  The Whites depart.  And they never had the damn guacamole.

We hear the intro Walt recorded earlier, and as the scene changes we are now watching what he and Skyler recorded, on the Schrader television.  Hank and Marie are standing while watching, and it's amazing that neither on of them hit the floor after the opening line.  Walt goes on to say that if you're watching this, then he is probably dead.......murdered by his brother-in-law Hank Schrader ARE YOU FUCKING KIDDING ME!!  Oh.  My.  God.. He goes on to basically implicate Hank as Heisenberg, peppering real facts (he took Walt on a ride along) interspersed with bullshit (Hank was working with Gus, Walt was forced to be the cook due to his chemistry knowledge, Hank forced Walt to build the bomb that killed Gus, etc).  It is an amazing performance, and Marie is looking at Hank like "can you believe this shit?"  When Walt drops that he ended up paying Hank's medical bills, it begins to unravel for her, since this is the first Hank has heard of that.  The video finally ends with Walt choking back tears, and they turn it off.  Han recognizes it for what it is, a threat, and is pretty sure nobody else will ever see it.  Get out ahead of this, Marie says, it's all lies and if you show it to your boys at work you can expose them.  All Hank can focus on is the $177,000 spent on his rehab - didn't our insurance cover that?  Marie explains that it was gambling money, which she now knows is a lie, and tells him that without that money they never would have been able to get the treatment he needed.  She knew he would refuse the money if he knew the truth, and Hank sinks as he realizes this is the final nail in their coffin as far as the investigation goes.  Once the DEA knows that the dirty money payed for his rehab, he's got nothing.  Checkmate, Agent Schrader.

Desert.  Saul and Jesse are waiting, and we see a tarantula slowly crawl in the foreground.  the reminders of Drew Sharp continue.  Walt pulls up, gets out ans starts checking Saul's car (license plate: LWYRUP) for tracking devices.  Paranoid, much?  He starts right in on Jesse, quizzing him on what Hank knows.  Jesse pretty much has it sussed out and tells him that though Hank knows Walt = Heisenberg and wants Jesse to spill his guts, he hasn't told anyone else since he seemed to be acting weird and on edge.

After getting Saul to go stand in the corner, Walt starts to work Jesse.  He doesn't like to see him hurting like this, maybe a change is in order.  Can;t really tell if Walt is being sincere.  Jesse wonders what kind of change and Walt brings up Saul's pal who runs his own witness protection type deal.  He waxes poetic about the chance for a new start, the chance to meet a girl, start a family, and after all what is left here for you anyway?  All good points, but Jesse slowly begins to realize that him splitting benefits Walter above anyone else.  He moves away from Walt and asks that he, for once, stop working him.  Kid knows he's being played, though I'm still not sure. Jesse goes on, asking, no begging Walt to just ask him for a favor, tell him you need this.  He knows that he has to go because if he doesn't  Hank will not give up, and if he doesn't leave Walt will just kill him like he killed Mike.  Jesse starts to break down as Walt, saying nothing, walks up a hugs him.  Jesse breaks down further, but does not hug him back as we go to commercial.  Very powerful scene, and I wanted to climb into my TV and hug Jesse myself....

Back at the car wash, Walt helps a customer then nervously checks his watch as he heads into the office.  We see Skyler at her desk in the foreground with Walt shown in silhouette near the doorway.  It worked, he tells her, we're fine.  She lets out a sigh of relief.

Hank's in his office when Gomie comes in, but this ain't no social call.  He finds out that two of his guys are staking our Saul's office keeping an eye on Jesse, which is a big no-no since that is APD's problem.  Hank bitchily says he will pull the guys, then takes off for the day.  Wonder where he's going?

Saul's office, where we see that Jesse has accepted the offer to get out of Dodge.  Saul makes the call, humorously asking to fix a vacuum as some kind of code, and is told the exchange will happen in one hour.  While he gathers up some cash for Jesse to take to start his new life, Jesse pulls out his weed and torches up a joint, which sets Saul off.  After getting him to put the joint out, he demands the bag, at which Jesse scoffs and puts it in his pocket.  Hmmmm.

 Saul goes out to get a bag for the money, then comes back in with Huell, who will be escorting Jesse to the pickup spot.  Saul goes over the details once more, and Jesse asks if he gets to choose his destination.  Saul thinks he might have a say, and suggests Florida - get tan, meet the bikini team, etc.  Jesse, still full of guilt and self-hatred, suggests Alaska instead. Damn, dude, don't punish yourself that much.  As he leaves, Huell doesn;t really move out of the doorway, so as Jesse slides past him, we can subtly see him make a motion towards Jesse's jacket pocket, after which he exchanges a knowing glance with Saul.  I'm not going to lie, I did not pick this up on the first viewing, and re-watched it several times on the DVR before catching it.  It's obviously a huge thing based on what we see shortly...

Here's Jesse, waiting for his ride and a ticket to a new life.  It was remarked upon by many that he is standing in front of what looks like rows of tombstones, perhaps foreshadowing his "death" and new life.  See:



While standing there, Jesse fidgets a bit and eventually starts to look for his bag of weed.  He checks every pocket, but it's not there.  His search gets a bit more frantic before he pulls out his pack of cigarettes, and slowly the dots get connected - Huell picked his pocket to remove the ricin cigarette which somehow traces back to Mr. White poisoning Little Brock and holy shit now he knows and all hell is going to break loose.  As the van pulls up, he doesn't get in, but checks the cigarettes once more before heading back, presumably toward Saul and/or Walt.  The van pulls away, so Alaska will just have to wait.

Back at Saul's where Huell looks to be sleeping just outside the office door.  Jesse storms in, blows right past the sleeping giant, and enters the office, where he proceeds to lock the door and kick the living shit out of the lawyer.  Saul screams "CODE RED!" enough times before Huell eventually gets in, but not before Jesse gets the gun from Saul's drawer and keeps him at bay.  He lays it out to Saul, how he had Huell steal the ricing cigarette to help "that asshole Mr. White" who then poisoned Brock, etc.  Saul cops to it, but says he had no idea what was going to transpire and thought that he was helping Jesse.   Jesse takes Saul's keys, leaves, gun drawn, and Huell rushes to help Saul.  Saul's in no mood, and wonders why he pays the big lug.  He can;t call the cops, obviously, but we have a pretty good idea who he dials when he says "it's me.  We got a big problem!"

Car Wash, where Walt pulls in like his car is on fire, then casually enters to see Sky working the register.  He comes up with some nonsense story about the soda machine not latching, and heads down to "fix" it.  It's amazing that in an episode where he so convincingly lied to everyone else, he sounds like an absolute tool when telling smaller lies to his wife.  Anyway, he gets the machine open, and feels around int he back to find a .38, loaded and frozen.  He makes up another story about picking up a prescription, and leaves.

Negra Arroyo Lane, where a car come flying over the crest of the hill at a pretty good clip.  It's Jesse, and he pulls into the White's driveway with such force that he smashes into the garage.  He jumps out, pops the trunk, and pulls out a very large gas can.  Smashing through the door since nobody is home, he begins to maniacally splash the liquid throughout the house, getting more and more crazed as he goes.  Credits.


  • Holy crap.
  • The house doesn't burn, we know, but how the hell will this get resolved?  The White's can;t go back now.
  • Amazing that through three shows we only have one dead person, Dec.  I don't count his associates.

Sunday, August 25, 2013

Breaking Bad Recap - "Buried" (Season 5 Episode 10)





Previously on Breaking Bad, Nervous Lydia found herself having less than an A1 Day, what with the quality of the product slipping to an ugly 68%, Walt reiterated to her that he was out since he left all his know-how to Declean and his crew, got slugged by Hank, then dropped the bomb on him that the cancer was back, Jesse gave a mad stack to a homeless guy, then made it rain in the neighborhood.

We open in the middle of the night on a house which we have never seen.  An older gentleman steps out, likely heading to work. Panning back, we can see that this looks a bit like the area where Jesse was tossing bundles of cash, and sure enough when Old Man starts up his trusty old truck and turns on the headlights, he pauses to get out and see what was in his driveway.  Ain't no newspaper, but rather one of the Pinkman provided money bundles.  He looks around to see if he's on Candid Camera, and slowly realizes that these stacks are all over the place, and starts collecting.  Further along he sees a glowing, flashing light just over the crest of a hill in what looks like a park, and heads toward it.  This is like the beginning of every space alien movie, so Old Man would then be the first one to die, right?  Alas, as he comes over the hill he sees Jesse's car, with the hazards on.  The big bag of cash, with plenty still left in it, sits on the front seat.  He scans the area and hears a creaking sound, which is our boy Pinkman, on his back on one of those old school merry-go-rounds - the kind that would be banned today - just slowly going around.  An overhead shot slowly zooms in on our detached, distant anti-hero, as we go to titles....

Cul-de-sac, where that damn remote controlled car keeps racing around the street, oblivious to what's just gone down in the Schrader garage.  We're in the immediate aftermath of the whole "tread lightly" episode, and the door opens, and out comes Walt, in full Heisenberg attitude.He pauses to turn back as Hank walks toward the door, and the two have a staredown for what seems like an hour before Hank hits the clicker to shut the door.  Posturing complete, Walt screeches out of the driveway, nearly crushing the RC car in the process, then jams on the brakes and whips out his cell.  He's trying to reach Skyler, but he can't - she won't get off the phone.  Sensing trouble, he checks his rear view just in time to see Hank opening the door and coming out, cell phone pressed to his ear.  Walt asks Mariano (the car wash guy on the phone) who Skyler is on the phone with, but he probably has already figured that out. He peels out and makes a beeline for A1.

Cut to Skyler, in her office, on the phone and looking very, very upset as she keeps saying "ok, ok, ok" to who we've figured out is Hank.  Her cell phone vibrates on the desk, unanswered.  Ruh roh.

Walt reaches the car wash and flies in to Skyler's office, but she is gone.  He asks the man at the desk where Skyler is, and he replies that she "just kinda left" and didn't say where she was going.  Walt's panic begins to set in as he realizes that he has no idea where she went, but knows exactly who she went to see.

Skyler cautiously enters what looks like a diner type restaurant, and stops when she sees Hank at a booth in the far corner.  He gets up to greet her with a tentative wave as she takes a breath and makes her way over, and he says nothing as he gives her a long hug.  He does all the talking as Skyler looks downward, a million things racing through her head.  From the way he tells it, and it's clear he's not using cop tactics just yet, he's pretty sure that she is a victim here.  Nothing more than a pawn in the Monster Walt's game.  He's not even sure the extent of her knowledge of the whole thing.  He lays it out for her: you and the kids move back in with the Schrader's, where they will be safe.  Skyler interjects to ask if Marie knows and Hank says they'll get to that soon enough.  Then he shows his hand by pulling out a recorder, asking Skyler to make a statement.  Insert needle scratch sound effect here.   Here?  Now? she wonders.  Hank suggests that her doing so would go a long way toward her being shown a degree of leniency when the courts get involved, and also worries that Walt will "run out the clock" before justice can be served.  This perks Sky right up -  what does Hank mean by that?  He reveals that the cancer has returned, as if Skyler didn't have enough shit to worry about this morning. Hank goes on to say that maybe the cancer stuff isn't even true, and besides, he's got lots of bits of evidence floating around, but needs Skyler to help fill in the gaps which will allow him to have Walt in lockup by sundown. Sensing trouble, Sky haltingly suggests that she should get a lawyer, and Hank is all "no, no", since lawyers would put up roadblocks which would prevent him from controlling the situation.  He wants to bring in the white whale on his own, you see, and Sky pretty much tells him so.  Busted, Hank changes tack a bit, slows it down, and lays out what "we're gonna do": gather the kids and bring them to Casa Schrader, talk to a lawyer at some future unspecified time, then help each other "put that animal away".  Sky isn't down with that, and as Hank gets up to start the action, she quietly asks if she is under arrest.  Hank has no idea why she would ask such a thing, and doesn't respond, so she asks again, this time a bit more urgently.  He's shaken up, tells her she's not thinking straight, but Sky get louder as she continues to press the point, screams it one last time and then leaves the diner in tears.  So much for subtlety.  Hank: "D'oh!"

Back at the storage facility, it's Saul's guys, Huell and Kuby.  They get a first hand look at the hot tub sized pile of cash we first saw back at the end of last season.  Huell takes a look and decides he "has to do it", "it" being laying on the pile like Scrooge McDuck.  Kuby joins him after a bit of hesitation, and as they lay there Huell says "Mexico.  That's all I'm saying", e.g. let's take a bit of this booty and high tail it out of here.  Kuby reminds him that the owner of this pile had ten people in two prisons killed within a two minute window, and that idea is officially squashed.

Better Call Saul, who is in his office with Walt while leaving yet another voice mail for Jesse re: the bags of cash.  Walt's cell rings and it's Sky, but Saul (wisely) tells him not only to not answer since it might be tapped by Hank, but to pull the damn battery out in the event he's setup a triangulation of some kind.  Walt is then left with the mistaken impression that Sky ran right to Hank and blabbed, but Saul reminds him that she really only has hearsay type evidence other than the money, which is being taken care of as they speak.  Yeah, but what about the little fact that Hank Knows.  He's not exactly going to turn the other cheek.  Quietly, Saul suggests a possible solution to the Hank problem, by indicating he could perhaps, maybe, oh you know, take a "trip to Belize".....where Mike went.  Gotta hand it to him, that option has worked out pretty well for Walt in the past.  Walt turns even more stone cold serious at this - Hank is family and that is off limits. He's ready to send Saul to Belize when there is a knock at the door - it's Huell and Kuby, and they're come back with the cash, which is now in big barrels in the back of a van.  They may have skimmed a bit off the top, but Walt isn't about to quibble about a few lost bucks.  He grabs a bag to pay the three of them, orders Saul to find Jesse, and speeds off.  Where?  To the desert, to a spot which looks a lot like where he and Jesse first cooked in the Crystal Ship way back when. He pulls out a pick axe and shovel and starts digging.

Casa White, where Sky is trying to reach Saul and by extension, Walter.  Getting no love there, which doesn't matter because Marie is knocking st the door and says she ain't leaving.  Great, now she knows. Deep breaths, people, this is going to be big.  She begs Sky to tell her that Hank is loony tunes, but the lack of response tells her that he's not.  Now the bigger question: how long have you known?  Speculation by Hank says it was right about the time Sky went for he dip in the pool,  but Skyler's subtle head shake says, "go back further".  Since Gus Fring?  Noope.  The gambling story was bullshit?  Yep.  Now, the biggie - did you know before Hank was shot?  More sobs from Sky which lead to a "I'm so sorry" finally cause Marie to lose it, and she smacks her right in the face.  Before storming off, she flat out tells her that she won't talk since she thinks Walt is going to get away with this.  But wait, she's not done, and the recovering klepto makes her biggest attempted heist yet - Baby Holly. They go back and forth, Marie summons Hank, before he finally has to yell at Marie to give the kid back and go.  Sky tries to sooth the kid as Hank leaves.  Back in the car, Marie stares straight ahead and says "We have to get him".  The battle lines have been drawn, people.

Back to the desert, where a weary Walt works until darkness falls, after which he has to unload the heavy barrels of cash int the hole.  He finally manages to get all of them buried and cover his work nicely before making sure to capture the GPS coordinates, memorize then, and destroy the device.

Cut to him pinning a fresh lottery ticket to the fridge, showing that he has played those numbers not cause he feels lucky, but to have them hidden in plain sight for future reference.  Skyler hears him and has sooo much to say to him, but he's not really in any condition to respond.  As he prepares to shower, wearily shedding his clothes, she stresses that she didn't tell Hank anything, and after imploring Walt to respond, gasps as he collapses to the floor in exhaustion.

Time passes, and we see a close of of Walt as he starts to wake up.  She's propped his head under a pillow and covered him with a blanket on the bathroom floor.  Her only question is about the return of the cancer, to which  Walt asks if that would make her happy.  He has no memory of what happened just before he fell, and figures she made a deal with Hank to save herself.  He offers to give himself up in order to save the kids and allow them to eventually get the money he just buried.  Don't let him have done all of this for nothing.  Sky wonders how Hank found out, and Walt cops to it without providing any details.  She then reasons that Hank has suspicions, but no real solid evidence without the money, and suggests that their best course of action is to just stay quiet.  It's a nice parallel to the whole "tread lightly" speech from last week.

Middle of nowhere, with a few junk cars strewn about.  A pickup trunk pulls in to the heavily guarded compound, and as it comes to a stop the driver instructs the passenger to take off the blindfold.  It's Nervous Lydia, of course, in the passenger seat, and she has come to what is now the cook site.  She's greeted, less than warmly, by Declean, who wonders what was so important that she has to pay them a visit.  She's bringing in lots of dough, and wants to see up close what is going so wrong re: the diminishing quality of the product.  Where is Dim Bulb Todd?  Isn't he the new Master Cook in this outfit?   They dispense with the pleasantries and bring her to the lab, which is nothing mire than a bus, buried in the ground.  Walt would go ape shit if he saw this place, and Nervous Lydia invokes him indirectly while giving this dump the white glove test.  Why not use Todd, she suggests, and we find out why that isn't such a good idea.  Seems that our boy, even though his first two cooks were at 74% purity, nearly burned the whole place to the ground on Cook #3, thus was relieved of his duties.  No deal, says Dec, since he doesn't trust Todd and wants to stay with his guys.  At this, Lydia sighs and turns away, says she wished Dec would have given Todd another chance as she presses a button on her watch.  What's that.  Well, it must be some kind of bat signal because right away the boys above indicate that there is a developing situation.  Dec leaves and tells Lydia to stay put while he checks it out, and within seconds we hear an exchange of several rounds of gunfire.  The hatch opens and down comes none other than Dim Bulb Todd, who escorts Lydia out of the hole and walks her through the carnage she just orchestrated, which she simply can't bear to look at.  She's sensitive, you know.

We see what went down:  Dec and his men are down, and Todd's White Supremacist uncle and his crew are the folks responsible.  Scratch that, Dec wasn't dead just yet, so Uncle Jack pumps another one into him to finish the job.  Once confirmed, Jack tells the boys to take it all.  So, Lydia doesn't need to try and recruit Walt now that she has her boy Todd back on the job, right?  Whew, glad that's taken care of.

Back to Hank, who is working through more piles of old evidence, searching for anything that will help tie things back to Walter.  Marie comes out, and implores Hank to tell his colleagues what he knows.  Tell Gomie, at least, but tell somebody.  Nope, says Hank.  The day he goes in with this is the say his career is over, done, caput.  Imagine, going in, looking these guys in the eye and admitting that the person he has been chasing for the better part of a year has been right under his nose the entire time?  It's as much about pride and ego for Hank as it is about justice, maybe more so.  He cannot go in there without concrete proof, nothing less.  Yes, but...Marie counters, what if they find out anyway and then realize you were sitting on all this evidence?  No answer, but instead a scene transition....

....to the DEA, where Hank, dressed in a suit, returns to work.  Gomie comes in, and the two exchange some typical macho crap before working out some office details.  Gomie goes to leave and provides an oh-by-the-way, did you hear about that money thing with our boy Jesse Pinkman?

Smash cut to an interrogation room, where TweedleDee and Dum are amusing each other, speculating how and why Jesse would 1) have millions of dollars to toss around and 2) toss it out at all.  Hank shows up and convinces the cops to let him have a minute or two, since he and Jesse have a long, rich history together.  Maybe he can soften the kid up and if anything of value comes out he would be more than happy to share it.  Deal?  The cops come up with a flimsy reason to abandon their detail and allow Hank to have at Jesse. He opens the door, it closes behind him, and we're out.


  • Aaron Paul did not have one line of dialogue this entire episode.
  • Emmy reels for all - Anna Gunn, Betsy Brandt, Dean Norris.  Submit this one, and you'll all win.
  • Is Jesse the missing link Hank needs to tie everything back to Walt?
  • The body count is underway:  Declean, though a minor character, is the first one down.  More to come.